linocut printing and hardcover book
The workshops concentrated on combining the two techniques to invite participants to rethink the book cover, an element often addressed only at the end of the creative and editing process, and to explore unconventional forms of creation while engaging with texture and shadow, both positive and negative, in printmaking.
The hardcover binding technique allows a book to last longer and works well for larger volumes. Although the process requires more time and preparation, it uses relatively few materials, such as cardboard, paper, and glue. This technique enabled participants to focus on both the structure and aesthetics of the book, considering it as a whole and creating their own designs for durable, carefully crafted volumes.
Linocut printing emerged in the early 20th century, when artists began experimenting with linoleum, a material originally invented for flooring, as a more accessible and easier-to-carve alternative to traditional wood or metal printing blocks. It has long been used to design book covers and create illustrations in older publications. In the workshops, participants experimented with carving and printing, exploring how images and textures could interact with their hardcover books.
By combining hardcover binding with linocut printing, participants brought their book covers to life. The sturdy hardcover provided a solid base for experimenting with images, textures, and patterns. This allowed participants to see how their visual designs could interact with the book’s form, connecting the structure and durability of the binding with the creative possibilities of printmaking.
These workshops were part of a broader series developed in 2025, where each month focused on the combination of two or more techniques, always pairing one bookbinding method with one printing process. Participants were young people aged 6 to 27, and the project aimed to teach artistic techniques that could be used autobiographically, encouraging self-publishing within the group.
Art mediators: Daniela Herig & Alicja Khatchikian
Design: Clarote
September 2025, Bona Peiser e.V.